Dumbo Gets Mad

2011 is off to a great start. This will probably be in everyone's 2011 top 10. Or top 3, or...

listen and find out for yourself. It's for FREE.

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The Needle Drop : “Think of it as Flying Lotus’s Cosmogramma from a psych rock perspective.”
SlantMagazine : “Elephants at the Door is an inspiring victory of DIY determination”.
Nerds Attack!  : “It could be THE italian album of the year”
LoudVision : “You can call it post-Loveless shoegaze, lo-fi or dreampop. We simply define it wonder.”
Radiated Sounds : “One of my favorite releases so far from 2011″.
Blogjammin’ : “There are more highlights than I have space to highlight them”.
SputnikMusik : “Think Grizzly Bear, but more uplifting. Think Edward Sharpe & The Magnetic Zeros, but less hippie”.
JamYourself : “Deeply underground and incredibly fascinating”.

their [MAGIC SPELL] is on me.

Post Punk & the Bunnymen

Not even post punKy

[00:34 - Wrong chord Paul!]

Post Punk 30s Transmission

Annie Clark

como o vinho do Porto

"Annie Clark, the musician otherwise known as St. Vincent, projects an aura of eerie perfection-- beautiful, poised, good-humored, and well-adjusted to a degree uncommon for rock performers, let alone ordinary people. She's clearly not oblivious to her disarming qualities. On the covers of both her albums, her wide eyes and porcelain features give her the appearance of a cartoon princess come to life, and in the songs contained therein, she sings with the measured, patient tones of a benevolent, maternal authority figure. The thing that separates Clark from any number of earth mother Lilith Fair types, however, is her eagerness to subvert that effect. Her album covers may showcase her pretty face, but her blank expression and the tight framing leave the images feeling uncomfortably ambiguous. Her voice and arrangements are often mellow and soothing, but those sounds mainly serve as context as she exposes undercurrents of anxiety and discomfort hidden just beneath a gorgeous façade."

No, we love you.